To give you an idea how scary The Exorcist was in its day, consider the following. Two years before The Exorcist came out, my mom and dad took me to see The Godfather. Sonny Corleone got filled full of holes at a
toll booth. Moe Green got shot in the
eye on a massage table. Carlo Rizza was
garroted by Peter Clemenza. Clemenza
blasted “Black Tony” Stracci in an elevator.
There was a bloody horse's head in some guy's bed. That kind of stuff was ok for a nine year old
kid to watch. But demonic
possession? Forget about it. Mom read the book – she knew what to expect. What she expected was this movie would scare
the hell out of me if I saw it. It
scared the hell out of a lot of people.
Priests would stand outside movie theaters where the movie was shown and
pass out handbills telling people where to get counseling.
The plot is well-known.
Chris McNeil is a movie star. She
lives in an apartment in Georgetown with her pre-teen daughter, Regan. After playing with Ouija board, Regan gets a
new “friend,” Captain Happy. Then Regan
starts acting weird. She urinates in
front of a roomful of dinner guests. She
complains that her bed is shaking. He
predicts the death of the mother of one of her mother’s friends. She has violent outbursts with anyone who
comes in contact with her. She appears
to have seizures. Chris subjects Regan
to lots of medical tests to determine what is wrong with her, but the tests
turn up nothing. Medically, there’s
nothing wrong with her. After all of the
medical tests turned up nothing, a desperate Chris consults a priest she’s seen
in Georgetown. She doesn’t believe in
God, but she feels like she’s out of options.
Father Karras, who has a background in psychology, is having a personal
crisis in faith. His mom is dying, and
his meager salary can’t pay for adequate care.
He’s also skeptical about performing an exorcism. He’s never done one, and he doesn’t know
anybody who has. But after talking with
the local bishop, he gets permission to do the exorcism. They also give Father Karras some help. Father Merrin is an elderly priest who just
returned from an archeological dig in Iraq.
He’s done exorcisms before, including one that nearly killed him. After Fathers Merrin and Karras show up at
the McNeil apartment, Regan greets Father Merrin by yelling out his name. Apparently the demon and Father Merrin are
old acquaintances. After Father Merrin
starts the rites of exorcism, all hell breaks loose [pun not intended]. Regan curses like a sailor, speaks in
tongues, speaks to Father Karras in his mother’s voice, and pukes more pea soup. Father Merrin tells Father Karras to leave,
and he continues the exorcism alone. When
Father Karras returns, he sees Father Merrin dead on the floor. He dropped dead of a heart attack. Regan laughs at Father Karras, who gets
pissed off. He grabs Regan and tells the
demon "Come into me! Take me!"
The demon obliges and transfers from Regan to him. With his last ounce of humanity, Father
Karras commits suicide by throwing himself out of Regan’s bedroom window, after
which he tumbles ass-over-teakettle down a flight of concrete stairs. Regan is all better, for now…
“Whoa! Moments”
– In good horror movies, there are what I call “Whoa! Moments.” Some people would say “Holy Shit!” instead,
but those are the moments in films that come out of nowhere and surprise you,
hence the “Whoa!” exclamation. Spinning
heads, projectile puking of green pea soup, levitating beds, bodies flying
everywhere, masturbation with a crucifix – all of that is “old hat” now, but it
was something new and shocking in 1973. They
left out a scene where she spider-walks down the stairs because the harness
wire could be seen on-screen [that got fixed for the deluxe DVD version]. Imagine if they were able to include that
little bit? What was really new in 1973
was the fact there was a film about demon possession and exorcism. I looked up IMDB to see if there were any
exorcism movies made before 1973, and I found two – Il Demonio (1963), and The
Devils (1971). So you could say the
entire film is one big “Whoa! moment.
Joe Bob Briggs
rating – Two dead priests, 10 gallons green pea soup, furniture-fu,
cross-fu.
Bottom line: The Exorcist
is the gold standard against which all other movies about demonic possession
are measured.
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