Monday, October 20, 2014

31 Days of Horror Movies - Psycho (1960)

Alfred Hitchcock had a thing for blondes.  He liked to cast them as his damsels in distress: Kim Novak [
Vertigo], Tippie Hedren [The Birds, Marnie], Eva Marie Saint [North By Northwest] and Grace Kelly [Dial M for Murder, Rear Window, To Catch a Thief].  Pretty ladies all, but none were more pretty [or sexy] than the blonde Hitchcock cast in Psycho [1960] - Janet Leigh.

The story has been told often.  Marion Crane [Janet Leigh] embezzled $40,000 from her employer, a real estate agent.  She and her boyfriend lamented they didn't have enough money to get married.  When a customer buying a house came by the real estate office, he brought $40,000 cash for a house.  Marion saw the shot and she took it.  She ran off with the money.  She stopped on the roadside to sleep, where she's awakened by a cop.  Nothing is wrong, but she's spooked enough to ditch her car for another one.  She ends up at the Bates Motel, where she meets Norman Bates [Anthony Perkins].  While they have dinner he tells Marion his mother is not all there.  Earlier she heard Norman's mother having sharp words with Norman.  When she suggest the mother be institutionalized, Norman gets a little pissed.  Marion went back to her room.  She was going to shower, then go back home and give the money back.

Whoa! Moment #1 - The shower scene, of course.  You don't get a look at who is doing the stabbing, but it looks like a woman.  For a stabbing there isn't much blood involved.  Marion doesn't blink - yup, she's dead.  Who kills off a main character only 1/3 the way into a movie?  Hitchcock didn't have a problem with it.  It was in the original story, so he decided not to take any liberties and left it the way it was originally written.



After Norman finds dead Marion in the shower, he wraps her up, throws her, her stuff and the money in with her, and pushed the car into a swamp.

Marion had a sister, Lyla [Vera Miles].  She and her boyfriend knew Marion was in some kind of trouble.  They had a detective named Arbogast [Martin Balsam] on the case.  He traced Marion to the Bates Motel.  He questioned Norman about Marion.  When he mentioned that Marion met his mother, Arbogast demanded to see her.  Norman refused.  When Arbogast came back to the hotel to look for Mrs. Bates, he too is stabbed to death.  I saw that one coming, so there's no surprise there.  Arbogast doesn't really fall down the stairs, but it looks like it.

Lyla and the boyfriend had a feeling something happened to Arbogast.  They told a local sheriff that their private eye was looking for Mrs. Bates.  The sheriff thought this was odd because Mrs. Bates had been dead for 10 years.  After Lyla and Sam get to the motel, they found Mrs. Bates in the hotel's basement.  This is Whoa! Moment #2.

Whoa! Moment #2 - Mrs. Bates is a decomposing corpse.  Not only that, her voice is coming out of Norman, who is dressed like her.  That's taking the Oedipus Complex to an extreme degree.  So, Norman gets carted off to the loonie bin.


Joe Bob Briggs rating - 3 dead bodies, 3 more dead bodies off-screen, shower-fu, 1 car in a swamp, and one wigged-out hotel clerk.  Oddly enough, there are no gallons of blood.  I've seen the result of stabbings - they're pretty messy.  Not so the stabbings in this movie.

What Came After - 3 sequels [II & IV were ok], 1 remake from Gus Van Sant [don't bother - I'm still wondering "why?"], and a very nice prequel series on A&E called Bates Motel.  I highly recommend Bates Motel.

Very cool notes - not once did the knife that killed Marion Crane touch her.  Such was the brilliance of Hitchcock's filmmaking.  You think you saw her get stabbed, but it didn't happen.  Janet Leigh later developed a fear of showers.   Hitchcock filmed the movie in black & white with his television crew, not his movie crew.  It made what little gore there was more believable.

The late Roger Ebert put it best about Psycho - "What makes "Psycho" immortal, when so many films are already half-forgotten as we leave the theater, is that it connects directly with our fears: Our fears that we might impulsively commit a crime, our fears of the police, our fears of becoming the victim of a madman, and of course our fears of disappointing our mothers." 

I can't argue with that...




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