I’ve been thinking of writing blogs about guitarists I like for quite awhile. I just hadn’t made up my mind who to start with. Sadly, current events made up my mind for me when I heard that blues great Hubert Sumlin passed away. Born Nov 16, 1931 in Mississippi, he was the youngest of thirteen children. He started with harp player James Cotton, then joined with Howlin’ Wolf in 1954. After playing with the Wolf for two years, Muddy Waters hired him away for awhile in 1956. Muddy paid better but he toured more than Howlin’ Wolf. After that stint with Muddy Waters he rejoined the Wolf and stayed with him until the Wolf’s death in 1976. He was a guitar hero’s guitar hero. His guitar playing has been described as “angular,” “jagged.” After hearing all the songs he did with Howlin’ Wolf, I could hear why these guys were so enamored with Hubert. Without Killing Floor, Led Zeppelin’s The Lemon Song would exist. Other songs in Howlin’ Wolf’s repertoire – Smokestack Lightning, Spoonful, The Red Rooster, Commit a Crime, Shake For Me, Down in the Bottom – would be hard to imagine with Hubert’s guitar. I heard those songs and got hooked on not only Howlin’ Wolf, but Hubert Sumlin as well.
Hubert Sumlin was not a household name. But for blues enthusiasts, the word “legend” barely scratches the surface when describing Hubert Sumlin. The music Hubert Sumlin created with Howlin’ Wolf is a landmark (one of several) in the development of electric Chicago blues. He never achieved the fame that Wolf did, but without Sumlin, Wolf’s greatest, most influential records wouldn’t have been the same. One look at old Stones and Hendrix concerts and Sumlin’s influence is easily seen. The Rolling Stones imitated the Wolf’s recording of The Red Rooster. When Hendrix wanted to play the blues in his live shows, his supercharged version of Killing Floor fit the bill. But don’t take my word for it – check out Hendrix’s BBC Sessions and hear his vicious take on the Howlin’ Wolf classic. The list of guitar players influenced by Hubert Sumlin is a pantheon of rock guitar gods: Clapton, Beck, Page, Richards, Hendrix, Vaughan, Zappa. His importance cannot be overstated.
Bob Margolin: “When Hubert plays guitar, he takes you to his world of Blues Feeling, from despair to ecstasy, from delicate grace to raw power, from lost to found. His style is original and personal and instantly recognizable. What kind of man can make or break your heart with his guitar?”
Jimmy Page: “I love Hubert. He always played the right thing at the right time.”
Stevie Ray Vaughan: "Hubert's the heaviest, most original guitar player I've ever heard...and that's the truth!"
Ronnie Earl: "Hubert's one of the guys who sat down and taught me stuff.”
His preferred axe was a 1955 Gibson Les Paul Goldtop. He was known to play a Fender Stratocaster from time to time though. Early influences that affected Hubert Sumlin's style of play at a young age, included Blind Lemon Jefferson, Lonnie Johnson, Robert Johnson, Charley Patton, Muddy Waters, Sonny Boy Williamson, and of course Howlin’ Wolf. It was at Howlin’ Wolf’s urging that Hubert stopped playing with a pick and used only his fingers. Once Hubert found his “sound” he became [or his sound became – he was very unassuming] as iconic as Howlin’ Wolf himself.
When Chess Records wanted Howlin’ Wolf to make a record in England [with Eric Clapton, Steve Winwood, Bill Wyman, Charlie Watts], they (Chess) originally didn’t want Hubert playing the sessions with them. Clapton told Chess that if Hubert wasn’t involved then neither was he. Chess changed their minds, Hubert played on the album. Such was Clapton’s respect for Hubert Sumlin.
Awhile back I saw a celebration of blues music called Lightning in a Bottle, which was filmed at New York’s Radio City Music Hall in 2004. I wanted to watch it because Gregg Allman and Warren Haynes were going to play [they played The Sky Is Crying]. But before they played, there was Hubert Sumlin with David Johansen. They played Killing Floor and they smoked! An amazing thing about Hubert was that not too long before he played RCMH, he had a lung removed due to lung cancer. Here’s the clip:
He’s done an album with Pinetop Perkins [Legends], A Tribute to Howlin’ Wolf (1998) with other former members of the Wolf’s band, and he cut a couple of tunes with Muddy Waters guitarist Bob Margolin on his All-Star Blues Jam (1999). Someday I’ll get his own CD I Know You. On the last CD of Hubert Sumlin’s that I bought [About Them Shoes, 2004], Hubert is joined by Keith Richards, Eric Clapton, Levon Helm, Bob Margolin, and David Johansen to play tributes to Muddy Waters. Particularly noteworthy are I’m Ready [with Eric Clapton] and Still a Fool [with Keith Richards]. Both are always on my iPod. If you can find About Them Shoes, get it!
Hubert passed away from heart failure on December 4th. He had just celebrated his 80th birthday two weeks ago. As Jimmie Vaughan so eloquently put it in song after the passing of his brother Stevie Ray, “Heaven done called … another blues stringer back home.”
2 comments:
He truly was the greatest. As a member of Levon Helm's band, I was lucky enough to play with him on stage, and I am thankful for it each day. He was one of the most caring people I have ever met. I saw him shortly after his lung was removed and he told me he had been to the other side and was told his work was not done and he had to go back. I'll never forget that look in his eye when he told me that. He went on stage that night and blew the roof off of Levon Helm's barn. His guitar work stands as some of the best ever recorded. I still try to play guitar without a pick because of the amazing tone he got out of those fingers. When you would watch him, it almost seemed impossible that music so good was coming out of the wild gestures his fingers made. I'll never lose that feeling his music inspires in me and I'll never forget his smile. He is missed dearly.
Andrew Shober
Woodstock, NY
Thanks for sharing, Andrew.
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